It’s not possible to walk into Al Farrow’s Divine Ammunition without feeling both awe and soul-deep dismay.  Farrow’s somber, menacing vision is ideally suited to the fear, horror, and moral dissolution that seems to permeate  contemporary life. The hatred that religions can breed is the blood-soaked ground upon which Farrow constructs models of mosques, synagogues, cathedrals, and reliquaries using munitions—a perversely incongruous counterpoint to the gospel of peace, love and tolerance we hear coming from pulpits. Read the full article on Square Cylinder by Julia Couzens.